
The 12th annual Revelation Perth Fest is perhaps the most respected film festival in all of Australia. One film reviewer writes: "Under the curatorial leadership of author Jack Sargeant for the second year running, Revelation aims to bring new, weird, interesting and unusual features and documentaries that wouldn't otherwise get screened in cinemas to Perth audiences."
Post-Python, Innes and Idle created the Rutles, a Beatles parody group that debuted on the duo's British TV series "Rutland Weekend Television" before starring in their own 1978 NBC television special "All You Need Is Cash." It was the week's lowest-rated show among the major networks yet provided the "mockumentary" template for "This Is Spinal Tap" (1984) while sustaining a steady level of belovedness among Beatles and Python fans.
Innes eventually spun off a second Rutles album without Idle in 1996 ("Archaeology"), and a solo Idle cobbled together a rather lame Rutles follow-up film in 2005 (the straight-to-DVD "Rutles 2: Can't Buy Me Lunch"). When Innes performed a solo show in Los Angeles in 2003, "The Simpsons" creator Matt Groening was among those who showed up to pay their respects, and Kearns started work on "The Seventh Python."
Innes now has more paunch and less hair than when he played the John Lennon doppelganger Ron Nasty, but he's in anything but a retiring mood. His one-man show, which he performed at the Abbey Pub and again in part at the Wilmette, is called "A People's Guide to World Domination," a decades-spanning collection of his songs around which he wraps his theme "that the individual is being wiped out by the mass media." In typically cheeky fashion, the show climaxes with Innes leading a mock march in which he swears in the audience as "Ego Warriors," whose salute is the familiar thumb-to-the-nose gesture.
Innes is eager for 2010 to arrive because that's when his current publishing deal expires, and he's so miffed at its terms that he's waiting till then to release any new music.
"When we did the second Rutles album, I was naive enough to think if I paid a lawyer, that that lawyer would represent my best interests," he said, bursting into laughter. "No! How stupid could you get?
"I am off the hook on Jan. 1 of next year, so I will be actually doing more, being a bit more prolific. I'm just so fed up with being burgled. At the age of 65, I shall be free, so I should become a complete fame slut now."
By this point Innes was sitting outside with former Hudson Brother (and "Seventh Python" co-producer and co-writer) Brett Hudson at Argo Tea down the street from Vintage Vinyl. Neither of these two veterans was pining for the good ol' days or lamenting the demise of a record industry devoted to producing physical products.
"Quite frankly, I'm glad that part is gone," Innes said. "In many ways, what's the difference for people like me and Brett? They took all the money then."
The two of them laughed.
"I'm glad that the record business has changed and isn't what it was," Hudson said. "Because now we have a chance to make some money."
"It's gone full circle back to Woody Guthrie," Innes said.
"You're absolutely right," Hudson said.
"And, hello, we can get on street corners and say what's what," Innes said.
"You're right," Hudson said. "Woody Guthrie. We can come back. It's true."
Innes laughed. "This era is our era."
mcaro@tribune.com
Copyright © 2009, Chicago Tribune






Showtime at the Wilmette Theatre:
Signing a poster for the publican at the after-party:

Neil Innes spent more than an hour after the show signing posters and memorabilia for a long line of fans




"When the film premiered at Grauman's Egyptian Theatre at the American Cinematheque's Mods & Rockers Film Festival, (festival curator) Martin Lewis had Neil there for a Q&A, and a special concert the following night. And while Neil's been on hand for other screenings, this is the first, and possibly only time the film will be followed by a concert by the real thing," said director Burt Kearns. "What makes it even more exciting is that this be the finale of Neil's US concert tour. This will be great!"
Great? The Chicago Sun-Times News Group agrees. Their wide-ranging suburban weeklies feature an interview and a three-star (we're assuming out of three) review of the film, to which we add exclamation points as we summarize:
"Its best service is providing the opportunity to appreciate Innes' musical career, beginning with the Bonzo Dog Doo Dah Band and continuing with the Pythons (where a particularly brilliant side project was his score for the Beatles parody 'The Rutles'). Featuring live performances of charming tunes! There's also a nice recipe for Belgian Waffles in the credits!
"A must for Python fans!"
In the feature, The Seventh Python breaks his silence, Innes talks about the film and his illustrious carer under the radar. Here's a taste:
Q: What's your favorite moment in the film?
A: They (interview) someone on Hollywood Boulevard, who says, "You're making a documentary about a guy nobody's ever heard of." I'm rather unusual in show business as being a bit shy. If I could do all my work and not have to be made a fuss over, that would be nice.
Q: Are you writing new songs?
A: I've been working quietly at getting myself out of the mess I got myself into by not paying attention when I signed things. I'm happy to say that on Jan. 1, 2010, I get my publishing catalogue back. It frees me up to come out with the newer stuff I've been working on, because otherwise it was going to be swallowed up by white-collar multinational companies. So I will probably, at the unlikely age of 65, come out from behind my camouflage and say, "Hey, I'm ready for halftime at the Super Bowl!"